INTERVIEW SHOWREEL
Interviews are a cornerstone of modern documentary film. They provide exposition for the viewer, connection with the characters, and add a perspective on the story. I've shot hundreds over my career, some with large lighting setups, and some under a tree in the corner of a park. It's the connection created with the person being interviewed that is of the greatest importance.
They can take many kinds of forms through location, lighting and camera choices. How we see the storyteller is important, and should aspire to reflect the colour of the story that is being told.
When on location, despite the best plans, you can find yourself in some interesting places. A jungle with harsh midday sun, or a dark chapel within a city. The challenge is to create a frame that reflects the interviewee and can be sustained throughout the interview.
This page is an example of some of my recent work from various locations across the world.
CAMERA & LIGHTING EQUIPMENT
CAMERA /
BMD Pyxis 12K Camera Kit + Sachtler Flowtech Tripod
Sony FX6 Camera Kit + Sachtler Flowtech Tripod
Sony A7S3 Camera Kit + Manfrotto Carbon Tripod
LIGHTING /
ProLycht 675 Full Spectrum COB LED
Aputure P600C Panel LED
Aputure 300x & 120d COB LED
LENSES /
DZO Arles Cine Primes F1.4 - 25, 35, 50, 75, 100
ZEISS Batis Primes F2.0 - 25, 40, 85, 135
SONY GM F2.8 24-70, 70-200, 200-600
Down the Lens.
An Interview cinematography style that involves the interviewee looking into the lens of the camera. This style makes the audience feel like they are being addressed by the interviewee directly, creating a sense of personal connection and intimacy.
Classic two-shot.
The dual-angle interview setup. One camera with a wide view showing the interviewee within an environment, with a tighter second angle to provide emotional connection. Often used when the setting of an interview is also conveying something about the story or character. Additional cameras can be used for alternative angles.
Behind the camera
It's never the same set-up twice. The location and space have a significant influence on how the cameras and lights are arranged. However, it is often the story that exerts the most force when it comes to crafting an interview's frame. Here are some shots from behind the camera.
Contact
Based in Ireland. Available worldwide.
Email: hello@oliverhegarty.com
Instagram: @oliver_hegarty